U-Turns

• Have you neared the end of your manuscript and wanted to chunk the entire thing?
• Reread the rough draft for editing and wondered why you spent so much time on that?
• Get a few agent rejections and cease trying to send the WIP out?

If so, you are not alone.

THE ARTIST'S WAY explains this phenomenon.

• "An artistic U-turn arrives on a sudden wave of indifference."
• "Creativity is scary, and in all careers there are U-turns."
• "Typically, when we take a creative U-turn we are doubly shamed: first by our fear and second by our reaction to it. Again, let me say it helps to remember that all careers have them."
• "A successful creative career is always built on successful creative failures. The trick is to survive them."
• "Creative U-turns are always born from fear--fear of success or fear of failure.

I know these U-turns all too well. Nearly two decades ago, I stopped writing altogether. My SF WIP --THE DAWN AND THE LION--was deepening. I needed mountains of research to pull it off. My ability to describe the many fantastic settings was not good enough. The plot seemed to be stagnating. Even though my history students (who knew math and physics far better than I ever will) were enchanted with the story and had helped me create a simple time dilation equation, I  stopped. Even with a rapidly filling four-inch binder. Writing felt too much like work.

I had no clue then that a rough draft isn't the same as finished. All of them take revision and revision and some more revision. I didn't have a clue what craft skills I needed, but I knew I couldn't do the story justice. At that time, I had no clue where to go to find out about craft skills.

That was then and this is now. Besides having two published devotionals, I have not only the SF trilogy on the back burner, but a rapidly growing comtemporary trilogy that I'm calling women's fiction for the moment. That's subject to change. But far more importantly, I know that this isn't a quick job, and I know where to find instruction on craft--both in books and on line.

My U-turn is over...for now. ; ) I know I'll see a more down the road, but I won't stop this time--not now, not ever.

What have your creative U-turns been?
How did you get back on the road?

Mystery Words

~~After a week of very few words, imagine my surprise when 150 stray words popped into my head this morning. I have no clue why. They don't fit with anything I'm writing. I don't plan to write historical fiction, though that's the genre I think they would fit. The only thing that makes sense is that I did focus on European medieval history in college and my master's thesis is a biography of Blanche of Castile. But I never wanted to be Eleanor of Aquitaine.

~~Here are the mystery words:

     When I was a girl, I wanted to be Eleanor of Aquitaine. Dashing troubadours would sing love songs to me. I'd be Queen of both France and England and own the richest province in Europe. Then I learned her whole story--about the civil wars between her sons and husband and that she spent sixteen years imprisoned by her husband, Henry.

    But reading about Eleanor's life led me to her family and the little talked about daughters who married into the ruling families of the Holy Roman Empire, Toulouse, and Castile-Leon. It was among Eleanor's grandchildren that I found my true lodestone--Blanche of Castile, who married Louis Capet, destined to be Louis VIII of France. While it's true she would lose children before they were grown and her husband would die young, her life typified a woman of learning, justice, power, and grace. In Blanche, I found a guide for living life based on belief.

~~What do you think happened? And do you ever have mystery words showing up uninvited? Do they ever lead you into a new WIP?

~~There is one other bit you should know that my long-delayed SF trilogy (The Dawn and the lion)originated as a fictionalization (that's an understatement! ; ) of Blanche's life. It's moved a long way from it's origins now.

Inspiration and Imagination--It Takes Two to Tango

INSPIRATION is the inhaling of the memory of an act never experienced. ~ Ned Rorem

IMAGINATION is the liquid solution in which art develops the snapshots of reality ~ Cyril Connolly

~In the June issue of THE WRITER, Bharti Kirchner used these quotes to begin the cover article "The Germ of an Idea." The quotes captured my heart and mind immediately. They're the perfect definitions of two important concepts that fuel our creative forces. The article continues with sixteen published writers of fiction and nonfiction describing how inspiration and imagination have worked in their careers. From Sue Grafton and Elizabeth George to Greg Bear and Elizabeth Lyon, these writers open a window into their process.

~After I read the article, I couldn't help it. I had to peel apart the inspiration and imagination that sparked the two works-in-progress (WIP) that I work on the most. I thought I'd share.

FRIENDLY FIRE
~It may sound like a cliche, but the inspiration for this WIP did come to me in a very vivid dream. In March 2008, I woke from a morning nap (no comments, please ; ) with this image in my mind--A eleven or twelve-year-old girl leaned against a low stage in a crowded church fellowship hall. Her golden curls framed a fully made-up face, complete with eyeshadow, liner, and mascara. I looked out of the eyes of an older woman whose heart was immediately hooked by what was obviously a child in pain. I had no clue who they were, what had happened, or why they were in a room full of little children. It didn't matter. The image stayed with me all day as I completed a long list of errands. The story unfolded as I went from one job to the next. By nightfall, I knew the woman's name and that she was a recently widowed, retired teacher with no children of her own. The girl was an abused foster child named Samantha and the children in the room were all foster children. That's all it took to launch my contemporary, mainstream novel, FRIENDLY FIRE.

THE DAWN AND THE LION
~This story's  origins may be even stranger than the one above. I've read science fiction for decades. It's a genre both John and I love, so it's not really surprising that I have a SF WIP. What makes it surprising is that I have no background in science. My field is history. The story is based on the life of a thirteenth century French queen. Really. ; ) My master's thesis is a biography of Blanche of Castile. Her life was full of the political intrigue and family drama that characterizes the Medieval history of England, France, and Spain. Her maternal grandparents were Henry II of England and Eleanor of Aquitaine and she married Louis (VIII) "the Lion" Capet. Their son, Louis IX, is now known as Saint Louis. My WIP takes Blanche's life story and translates it into the life of Princess Canda Aurora of Shardonia. With near light-speed travel and tachyon pulse communications, my three planets interact much like Medieval Europe's England, France, and Spain--with a few changes along the way. I think Canda's story has great potential, but don't hold your breath--I've worked on this one for over twenty-five years.

~I'd love to know what fuels your WIPs. Where do you get your inspiration and what spurs your imagination?

Show Don't Tell--Crusader Challenge

~~Rachael Harrie has guided us through a great Crusade and her last challenge is a fun ride. Here are the directions:
My Show Not Tell Challenge: In 300 words or less, write a passage (it can be an excerpt from your WIP, flash fiction, a poem, or any other writing) that shows (rather than tells) the following:

*you're scared and hungry
*it's dusk
*you think someone is following you
*and just for fun, see if you can involve all five senses AND include these random words: shimmer, saccadic, substance, and salt.

~~My snip if from my SF wip THE DAWN AND THE LION. This wip is set on Patria, one of three planets initially founded from Earth. The POV is Princess Canda Aurora of Shardonia, wife of King August Leo, Imperial Heir of Patria. Times are tough as you will see. Let me know if I showed you what's going on instead of telling. If you notice some of those little sneaky telling bits, do let me know. ; )

###

Since the shuttle crash, the nausea that had stalked me for two weeks achieved new levels of torment. Crisp, cool water poured from the liana leaves overhead. At least I’d have something to drink when my stomach settled. Of course, the pounding rain would have to slack off before I could attempt getting any water. The puddles at my feet shimmered with each lightning bolt. They stabbed my eyes like the rockets that had burst from the forest floor.

I could still see the sun’s last rays lighting the rising clouds racing down the ridge as the first rocket tore through the shuttle’s wing and Tomas’ hands fought the saccadic tumble. But the second rocket…no pilot could compensate for that. The scraping branches and vines couldn’t cushion the bone-jarring jolt of our landing. Our attackers were near. Their victory shouts made crawling from the wreckage and running my only chance. Tomas stayed behind; his brains scattered over the instrument panel.

For now, I’d evaded capture, but there wouldn’t be any edible fruit among the wet, rotten vegetation on the forest floor. The oozing gash in my thigh from knee to hip made climbing impossible. At least the throbbing gash screamed louder than my rebellious stomach.

Sudden insight seared my mind like lightning. The rebels didn’t want me dead. I was their best hope, their champion, the only royal who heard their pleas. The honor of shooting me down belonged to the court’s Pure Patria adherents. They wanted me—the below-the-salt, upstart Shardon princess—dead before I could sully the royal bloodline. My stomach turned itself out and I wiped my sour mouth. They were too late. I had to survive for the new life I carried. The only question was how.

Special announcement!
I'm only 12 followers from 200 and three posts from 100 posts. When those milestones are achieved, I'll be announcing a blogfest with three prizes. Hope it's soon. ; )

Where To Begin

~~Writers are told to begin their stories with a hook or in media res (Latin for “in the middle of things”). I’ve read that we should write our novels and then cut off the first four chapters. This is attributed to Chekov, but I haven’t been able to find the reference. If all this advice is giving you an attack of nerves, I’m with you.


~~There’s something to it though. I recently read a novel by a best-selling author and I was stunned to realize that the story didn’t really begin until a quarter of the way in. Everything before that was backstory that should have been sprinkled in like salt. I almost put the book down. Almost. But I couldn’t quite do it. The story was good and the characters intriguing…and I’m a bit obsessive. ; ) Why would the author of over sixty titles make this mistake? I imagine she thought we needed all of the backstory to fully appreciate the plot.

~~Two different sources finally made the advice hit home for me. One is an article by Victoria Mixon on “Four Mistakes of Fiction Writers” and number two addresses just this issue—“Misplaced Backstory.” Here’s a bit of Victoria’s advice:

Unfortunately, we don’t read in a chronological world. We read for excitement. We read for the thrill of our blood pressure being inflated, soothed, then inflated again. We read for the roller coaster ride. (emphasis—Victoria Mixon)

Check this LINK for the full article.

The other great advice comes from Beth at the Forum. She has a great blog post that describe gangplanks, doors, and bridges. Gangplanks are for writers to help them get into the scene and they should be ditched later. Doors are for readers and bridges are to let readers make transitions between scenes. Check out Beth’s entire post at this LINK.

~~All this thinking about where to begin has made me reassess the starts of two of my works-in-progress. FRIENDLY FIRE begins when Laura Grace first sees Samantha, an abused foster child and that’s the right place because it puts into motion everything else in the plot. If I’d begun a year earlier at the funeral of Laura Grace’s husband, Tom, I would have spent pages telling you about her slide into depression, day by day, and you’d rightfully put the book down, bored to tears.

~~THE DAWN AND THE LION, my SciFi work-in-progress, is another story altogether. The many handwritten pages I have squirreled away on this story are largely backstory, and I’ve got to cut them severely to make the beginning hook you into the story. I will use all the info I’ve learned, but as sparing detail to flesh out main character Canda as she negotiates Patria with its very different culture and mores. Susan Edwards, one of my writing buddies, has always said I started THE DAWN AND THE LION in the wrong place. You know what, Susan, you’re absolutely right! It took me reading a book by someone else to really internalize the advice.

~~So here’s to finding the right place to begin. May you all find it easily. But, then, when was writing ever easy. Enjoy the hunt!